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Biography

Born in Bombay, Patricia Rozario studied at London’s Guildhall School of Music, winning the Gold Medal and the Maggie Teyte Prize. Since then her career has developed in opera, concert work, recording and broadcasting. Her unique voice and artistry has inspired several of the world’s leading composers to write for her, most notably Arvo Pärt and Sir John Tavener, who alone has now written over thirty works for her, making their collaboration unique in the contemporary field. She has sung with Solti, Ashkenazy, Jurowski, Belohlavek, Gardiner, Pinnock and Andrew Davis, sung opera at Aix-en-Provence, Amsterdam, Lyon, Lille, Bremen, Antwerp, Wexford, ENO, Glyndebourne and Opera North, and given concerts in North America, Canada, Russia, the Far East, Australia, throughout Europe, and at all the major UK venues.

Her wide concert and opera repertoire ranges from baroque to contemporary music. She has given the première performances of many pieces written especially for her including Pärt’s Como Anhela la CiervaBeastly Tales by Roxanna Panufnik, and Tavener’s Life EternalIkon of ErosVeil of the Temple in London and New York, Lament for Jerusalem in Australia and Schuon Lieder at the Ravinia Festival in Chicago. Most recently she has premièred John Casken’s Farness with the Northern Sinfonia and Chansons de Verlaine at the Wigmore Hall, and Jonathan Dove’s settings of Vikram Seth, Minterne, with Steven Isserlis and Phillippe Honoré. Other notable concert appearances include Pärt’s L’abbé Agathon with the Danish National Symphony Orchestra, Mahler’s 4th Symphony with Northern Sinfonia, the US première of Tavener’s Solemnitas in Conceptione, Vaughan Williams’ Pastoral Symphony with Andrew Davis, Britten’s Les Illuminations with Daniel Harding, Gorecki’s Third Symphony in Athens, and Pärt’s Como Anhela la Cierva with Vladimir Jurowski in Paris, Moscow and Gothenburg. She has so far appeared eight times at the BBC Proms.

On the opera stage she created the role of Belisa in Simon Holt’s The Nightingale’s to Blame for Opera North and has premièred Errolyn Wallen’s opera Another America: Earth at the Linbury Theatre Royal Opera House. Other operatic appearances include Ilia (Idomeneo) for Glyndebourne, Zerlina (Don Giovanni) at Aix-en-Provence, Servilia (La clemenza di Tito) in Lyon, Pamina (The Magic Flute) for Kent Opera, and Vivaldi’s Catone in Utica with Jean-Claude Malgoire in France.

Her extensive discography includes Songs of the Auvergne with Pritchard, Haydn’s Stabat Mater under Pinnock, Britten’s The Rape of Lucretia with Hickox, Casken’s Golem (a Gramophone award-winner), recordings with Graham Johnson for the Hyperion Schubert Series, and several major works of John Tavener, including Mary of Egypt, the Akhmatova Songs with Steven Isserlis, Eternity’s Sunrise (nominated for the Classical Brit Awards 2000), and Schuon Lieder. She has recently recorded Pärt’s L’abbé Agathon for ECM records and a CD of Strauss songs with pianist Charles Owen.

Recent performances include the UK première of songs from Ahmed Essayad’s Voix Interdites with London Sinfonietta, Tavener’s Cantus Mysticus with London Sinfonietta at the BBC Proms, To a Child Dancing in the Windand Melina at Temenos 08, Errolyn Wallen’s Faultline with Shobana Jeyasingh Dance Company, the première of a one-woman opera Don’t Go Down the Elephant written for Patricia by Andrew Gant, and recitals at the City of London, Salisbury and West Cork Chamber Music festivals and at the Wigmore Hall.

This season, Patricia has sung Casken’s Farness with Northern Sinfonia, performed at Vienna’s Ehrbar Saal, and at the Bath and Drogheda Arts festivals. May 2009 also saw the release of two new recordings: Knaifel’s O Heavenly King and Górecki’s Good Night on Louth Sounds, and Spanish songs for soprano and guitar with Craig Ogden on Somm Records. Future plans include recitals at Leicester International Music Festival, the Temple Song Festival, and a major USA tour of a new work by Roxana Panufnik with Chanticleer.

Patricia Rozario was awarded the OBE in the New Year’s Honours, 2001 and the Asian Women’s Award for Achievement in the Arts, 2002.